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They found her archive in a freezing Gowanus storage locker: forty cubic feet of brittle paper, a two-thousand-pound Vandercook press, and a lifetime of comics drawn on stolen municipal forms, shirt cardboards, and the backs of diner menus. Margo Dean vanished in 1989, leaving behind a self-published run so obscure that even veteran dealers dismissed her as a ghost. But as librarian-turned-investigator Finch conserves each acid-burned page, a terrifying pattern emerges. Dean’s stark, architectural panels—featuring a silent, trench-coated figure called The Clerk—aren’t fiction. They’re redacted reportage. Every "story" documents a real transfer, a real disappearance, a real room full of records beneath a city that prefers its crimes paper-thin and filed away.
*The Lost Issues of Margo Dean* reconstructs a artist who weaponized the medium’s invisibility. She carved her lines with mapmaker’s nibs, printed on Ditto machines and photo-offset negatives, and hid her testimony in the gutter margins between panels—license plates, cash disbursements, the dimensions of a void beneath a subway platform. Chapter by chapter, the book follows Finch through the ashcan prototypes, the basement press runs, the seized boxes, and the final, unprinted issue, revealing a hidden history of 1980s New York written in India ink and surveillance negatives. This is not a biography of a cartoonist. It is the recovery of a witness who knew the safest place to bury the truth was inside a comic book no one would ever take seriously.
Fiction
October 21, 2026
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