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A Century of Folklore Training
Indiana University’s Graduate Program and the Making of American Ethnomusicology

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About this book:

A Century of Folklore Training In the rolling hills of southern Indiana, far from the Ivy League, an unlikely academic revolution took root. *A Century of Folklore Training* reveals how Indiana University Bloomington became the global cradle of American folklore and ethnomusicology, transforming a regional effort to catalog Hoosier tall tales into the intellectual architecture of two disciplines. Through the visionary—and often contentious—leadership of giants like Stith Thompson, Richard Dorson, and Alan Merriam, IU built the world’s premier sound archive, forged the "Bloomington School," and mandated a rigorous, field-based methodology that turned graduate students into the architects of modern cultural study.

This definitive history traces the program’s evolution across twenty-five pivotal chapters, navigating the seismic theoretical shifts from historical-geographic mapping and structuralism to performance theory, reflexive ethnography, and the urgent contemporary imperatives of decolonization and digital preservation. It illuminates the classroom debates, archival breakthroughs, and interpersonal dynamics that trained generations of scholars to document African expressive culture, Native American musical sovereignty, Latin American soundscapes, and local Indiana traditions with equal rigor and ethical care.

More than an institutional chronicle, this is the story of a diaspora. As IU alumni dispersed to chair departments, curate national museums, and shape public arts policy worldwide, they carried the "Indiana way" into the DNA of global academia. Drawing on deep archival research and oral histories, *A Century of Folklore Training* offers an essential map of where our disciplines have been—and a provocative blueprint for where they must go next. For anyone who believes that understanding human song, story, and tradition is vital to our shared humanity, this volume is an indispensable inheritance.

Table of Contents:
  • Introduction: Grounding the Discipline
  • Chapter 1: Early Roots: Stith Thompson and the Hoosier Heritage
  • Chapter 2: Archiving the Unspoken: The Rise of the Archives of Traditional Music
  • Chapter 3: George Herzog and Comparative Musicology at Indiana
  • Chapter 4: Building an Academic Home: The Institutionalization of Folklore
  • Chapter 5: Richard Dorson and the Bloomington School
  • Chapter 6: Fieldwork Methodologies: From Wax Cylinders to Magnetic Tape
  • Chapter 7: Alan Merriam and the Anthropology of Sound
  • Chapter 8: Material Culture, Balladry, and Oral Narrative Pedagogy
  • Chapter 9: Performance Theory: Re-imagining Expressive Culture
  • Chapter 10: Global Geographies: African Expressive Culture at IU
  • Chapter 11: Native American Music and Ethnographic Authority
  • Chapter 12: Women Pioneers in Indiana’s Graduate Program
  • Chapter 13: The Student Network: Disseminating IU Methods Nationwide
  • Chapter 14: Public Folklore and the Applied Imperative
  • Chapter 15: Latin American and Caribbean Soundscapes
  • Chapter 16: Structuralism and Semiotics in Bloomington Training
  • Chapter 17: Sound Preservation and Archival Ethics Across Decades
  • Chapter 18: Asian Traditions and Transnational Ethnomusicology
  • Chapter 19: The Fusion: Merging Folklore and Ethnomusicology
  • Chapter 20: Community Engagement and Local Indiana Traditions
  • Chapter 21: Reflexive Ethnography and the Postmodern Turn
  • Chapter 22: Digital Soundscapes: Modernizing the Archives
  • Chapter 23: Academic Leadership: IU Alumni as Department Chairs
  • Chapter 24: Decolonizing the Archive and Pedagogy
  • Chapter 25: Into the Second Century: The Future of Ethnomusicological Training
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Author:

Margaret V. Robertson

Published By:

MixCache.com Extended Catalog

Type:

Nonfiction

Date Published:

September 1, 2026


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