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In the summer of 1922, the Harwood farm in Linn County, Iowa, smells of sweet clover, dry hay, and something entirely new: the sharp, electric tang of ozone. Nineteen-year-old Jesse Harwood has turned the barn loft into a laboratory, winding coils around oatmeal cans and coaxing voice from vacuum tubes bought with muskrat pelts. When he keys the microphone and the Methodist choirâs hymns ride the night air past the silo and the windmill, the neighborhood doesnât just hear musicâthey hear the future arriving on a five-watt carrier wave.
But the ether is a crowded, dangerous frontier. As Jesse and his sister Mary wrestle static, skeptical neighbors, and the physics of the ionosphere, a shadow looms from the east: corporate networks, federal regulators, and the ruthless battle for clear-channel dominance. From the chaotic thrill of the crystal-set boom to the high-stakes courtrooms where frequencies are bought and sold like gold claims, the Harwoods must decide if their homegrown voice can survive the chain reaction of commercial radioâor if the barn-loft dream will be grounded forever.
Rich with the grit of early engineering, the warmth of Midwestern family life, and the thunder of a revolution that shrank a continent, *The Family Station on Clear Channel* is a saga of innovation against the odds. For fans of *The Boys in the Boat* and *Empire of the Air*, this is the story of the voices that stitched a nation together, one fragile, crackling broadcast at a time.
Fiction
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