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Silver Hands for a Stolen Girl

Table of Contents

  • Chapter 1 The Miller's Debt
  • Chapter 2 The Stranger at the Wheel
  • Chapter 3 The Apple Tree's Blessing
  • Chapter 4 Tears of Purity
  • Chapter 5 The Blade and the Bond
  • Chapter 6 Blood upon the Earth
  • Chapter 7 Into the Deep Wood
  • Chapter 8 The Royal Garden
  • Chapter 9 Silver in the Moonlight
  • Chapter 10 A Crown of Spun Thread
  • Chapter 11 The King’s Vow
  • Chapter 12 Hands of Forged Silver
  • Chapter 13 The Golden Chain
  • Chapter 14 The War Beyond the Borders
  • Chapter 15 Letters Written in Malice
  • Chapter 16 The Substituted Order
  • Chapter 17 Flight into the Wilderness
  • Chapter 18 The Cottage of the Blind Hermit
  • Chapter 19 Nettles and Tears
  • Chapter 20 Seven Years of Silence
  • Chapter 21 The Flesh Beneath the Metal
  • Chapter 22 The King’s Search
  • Chapter 23 A Trail of Silver Dust
  • Chapter 24 The Refuge of Grace
  • Chapter 25 What Was Taken, What Remains
  • Chapter 26 The Whole Daughter

CHAPTER ONE: The Miller's Debt

The mill stood where the black water of the Blackwood River churned against the low grey hills, its great oak wheel groowing in a steady, agonized rhythm that had not changed since Josef’s grandfather laid the foundation stones. It was an old structure, heavy-timbered and sagging at the eaves, perpetually dusted with a thin veil of flour that made every surface look frostbitten even in the sweltering depths of July.

Josef was not a bad man, but he was a small one, constructed of narrow thoughts and timid ambitions. Where other men in the valley saw the rising sun and thought of the crop, Josef looked at the morning light and tallied what he owed. He owed the blacksmith for three iron hoops to bind the lower axle. He owed the baker in the high town for seven sacks of rye he had promised but failed to deliver when the autumn floods choked the millrace. Most of all, he owed the land itself, which seemed to yield less grain with every passing season, as though the soil were growing tired of his nervous, scratching hands.

In the small cottage behind the millhouse lived his daughter, Clara. She did not look like her father. Where Josef was gray-eyed and slight, Clara moved with a quiet, rooted grace that belonged to her late mother. Her hands were broad and capable, stained faintly yellow at the nails from the wild chamomile she gathered along the riverbank to brew for her father’s sour stomach. She spent her days sweeping the damp meal from the floorboards, mending the coarse linen sacks, and washing their few garments in the wooden tub by the well.

It was a meager life, but it had a rhythm that Clara trusted. She knew which floorboards creaked under a light step and which required a jump; she knew that if you left the rear door unlatched by a thumb’s width, the breeze off the water would sweep the chaff straight out into the yard without her having to lift a broom.

"The wheel is dragging again, Father," Clara said one evening as she set a bowl of cabbage broth before him. The soup was thin, little more than salted water and faded leaves, but she had trimmed the edges neatly.

Josef did not pick up his wooden spoon. He sat staring at the tallow candle flickering in the center of the tabletop, his thumb rubbing the rough grain of the pine wood until the skin was red. "The shaft is rotted," he muttered. "It’s been rotted since the frost. If I take it down to mend it, we don't grind for a fortnight. If we don't grind, the bailiff takes the mule."

"The mule is twenty-two years old," Clara noted mildly, sitting down across from him with her own bowl. "The bailiff would have to carry it home himself."

Josef did not laugh. He lacked the appetite for his own failures, which made even light jokes taste like vinegar. "He’ll take the house, Clara. He’ll take the stone off the roof and sell the lead from the gutters. The valley is full of men who fell behind by a single silver mark. They sleep under the hawthorn hedges now, eating dried dung and grass."

"We have the apple tree," she said, looking out the narrow window toward the small courtyard.

Behind the cottage grew a solitary apple tree. It was not a grand tree—its trunk was twisted like a knotted rope, and its leaves were often speckled with rust—but it was older than the mill. It produced a small, hard fruit that stayed sour until the first hard frost, after which the skin turned a deep, bruised violet and the flesh inside became as sweet as honeyed wine. It was the only thing on the property that did not belong to the landlord or the church; it had been planted by Clara’s great-grandmother on the day the mill was cleared.

"An apple tree doesn't pay the interest on forty groschen," Josef snapped. He finally dipped his spoon into the broth, chewed twice on a leaf, and spat it back into the bowl. "The axle will snap before the week is out. I felt the teeth slipping on the pit-wheel this afternoon. Three cogs stripped clean off the apple-wood ring. It’s done for."

"Then we will cut a new ring," Clara said quietly.

"With what timber? The timber-merchant won't credit me a foot of oak. Not after the business with the cedar boards last spring." Josef leaned forward, his face yellowed by the candle-grease flame. "A man works his fingers to the gristle, Clara. He spends forty years turning river-water into flour for other men’s loaves, and what has he at the end? A pair of boots with no soles and a daughter who tells him to cut timber he doesn't own."

Clara did not answer. She had learned early that her father’s grievances were like the river—they flowed continuously, carrying small bits of debris, and attempts to dam them only caused the water to overflow into the house. She finished her broth, rose, and took the empty wooden bowls to the stone sink.

Outside, the darkness had settled thick and damp over the valley. The forest, which began fifty yards behind the apple tree, seemed to draw closer in the night, its pines leaning together like tall, black-cloaked watchers. The locals called it the High Wood, though few went deeper into it than the first ridge where the charcoal-burners kept their pits. Beyond the ridge lay miles of trackless timber, old grey boulders, and stagnant pools that had never reflected the sun.

Josef got up from the table, grabbed his heavy wool cloak—greasy at the collar and thin at the elbows—and reached for his lantern.

"Where are you going?" Clara asked, turning from the sink with her hands wet.

"The upper pond," Josef grunted, not looking at her. "The sluice gate is jammed again with river-weed. If I don't clear it before the moon rises, the pressure will split the boarding, and then we won't even have a rotted wheel by morning."

"Take the broad axe," she suggested. "The weeds are full of hemlock roots this time of year."

"I know what to take," he said.

He slipped out the door, bringing with him the cold, wet draft of the river. Clara stood in the quiet kitchen for a moment, listening to the heavy crunch of his boots on the gravel outside until the sound was swallowed by the wet thrum of the water wheel.

She dried her hands on her apron—slowly, thoroughly, taking care to clear the water from between her fingers. She loved her hands. They were strong, wide across the palm, with short, clean nails that never tore. They were the tools with which she kept the world from falling into total ruin; they could mend a tear so neatly the thread disappeared into the weave, and they could draw cold water from the deep well without spilling a single drop over the rim.

She sat back down by the dying candle, pulled a small linen shirt from her basket, and began to prick out a border of black thread along the collar. Outside, the night grew very long, and the wind began to turn the apple branches against the glass with a sound like dry fingers scratching for a hold.


CHAPTER TWO: The Stranger at the Wheel

The path to the upper pond was narrow, choked with wild black-brier and wet fern that soaked through Josef’s trousers before he had walked fifty paces from the cottage. The air carried the dark, iron smell of turned earth and decayed oak leaves, thick enough to coat the back of his throat. He carried the broad axe over his left shoulder and held the horn lantern low, its yellow flame flickering wildly behind cracked panes of horn whenever the wind picked up off the river.

Josef cursed the mud, he cursed the rotted wheel, and, under his breath, he cursed the broad, quiet hands of his daughter. Clara was too much like her mother—too patient by half, as if waiting out a winter would somehow cause bread to sprout from the hearthstones. Patience was a luxury for men who owned their land; for a miller three months behind on his rent, it was merely slow suicide.

He reached the upper sluice where the Blackwood River pooled into a dark, stagnant mirror before plunging through the timber flume toward the mill. The timber gate was choked indeed. A fallen birch had lodged sideways against the iron frame, trapping a grey mass of silt, dead hemlock stalks, and bloated river-weed. Water breached the edges in dirty white plumes, threatening to wash out the embankment entirely.

Josef set the lantern on a flat grey stone, spat on his palms, and raised the axe.

"You’ll dull the blade on that iron casing, miller."

The voice did not come from the forest behind him, nor from the dark path he had just walked. It came from the far side of the sluice gate, where the shadows lay thickest beneath the overhanging alder boughs. It was a pleasant voice, smooth and dry as polished ash, with a faint, unfamiliar cadence that belonged to neither the valley nor the high town.

Josef froze, the axe hovering near his ear. He swung the lantern toward the sound. "Who’s there? The upper pond is private property. It belongs to the manor of Blackwood."

A man stepped out from beneath the dark curve of the alders. He was tall—taller than any man in the valley—and dressed in a dark coat of fine, heavy wool that seemed entirely untouched by the rain or the mud. He wore no hat, yet his dark hair lay sleek and dry against his skull. What struck Josef most, however, was his skin. It was pale, not with the grey sickliness of a man who lived in the damp, but with the stark, brilliant clarity of salt.

"Property is a flexible word," the stranger said, stepping onto the narrow wooden beam that spanned the sluice. He walked across the slick, wet wood with an easy, careless balance, as though he were strolling down a dry paved street. "The lord of Blackwood hasn't set foot in this valley for six years. He’s in the capital, drinking sweet wine and selling the timber rights to merchants from the coast. You know that, Josef."

Josef dropped his axe half an inch, his heart hammering against his ribs. "How do you know my name?"

"I know the name of every man who owes more than he can pay," the stranger replied, stopping three paces away. Up close, his eyes were small and dark, like two jet beads pressed into lard. He smiled, and his teeth were extraordinarily white, small, and sharp. "It is a very small registry, really. It takes up little room in my breast pocket."

"Are you the bailiff’s man?" Josef demanded, trying to make his thin voice sound heavy. "If he sent you for the forty groschen, you can tell him the wheel is broken. He’ll get his silver when the flour is ground, and not a day before."

The stranger laughed. It was a dry, rustling sound, like dry corn husks rubbing together in a draft. "The bailiff is a toad who counts copper coins in a damp cellar. I have nothing to do with him. I deal in much larger sums, Josef. And I am inclined to offer you a clearance."

"A clearance?" Josef blinked, his thumb twitching against the hickory handle of the axe. "What clearance?"

The man turned his head slightly, listening to the slow, agonizing thump-clack of the distant water wheel carrying up the valley. "Your wheel is dead. The shaft will split into splinters before the next moon. You have no wood to mend it, no silver to buy timber, and your daughter spends her time stitching black thread onto coarse linen while you rot in this ditch."

Josef’s face flushed hot despite the cold wind. "Leave my daughter out of your mouth."

"I speak of her only with admiration," the stranger said smoothly. "She is very neat. Very thorough. But she cannot eat black thread, and neither can you. Now, hear my offer. I will make you richer than the lord of Blackwood. The space behind your mill—the small courtyard where the dirt is packed hard—shall yield you silver. Everything that stands behind your mill, everything that is rooted there, I will cover in gold and silver leaf three inches thick. Your bins will overflow with fine white wheat that never spoils, and your debt to the bailiff will be paid fifty times over."

Josef stared at him, his mouth slightly open. The smell of the river seemed to fade, replaced by a strange, sharp scent like ozone and crushed marigolds. "And what do you want for it? No man gives away oak timber, let alone gold."

The stranger made a vague, dismissive gesture with a hand that was long, white, and immaculate. "A trifle. A mere formality of trade. Give me that which stands behind your mill. Nothing more. You have a scrubby little thing growing in the yard, don't you? A twisted bit of wood that barely manages three peck of sour apples a season. Give me what stands behind your mill, and the bargain is struck."

Josef’s mind raced, tumbling over itself like gravel down an embankment. The apple tree. The old, useless, twisted thing that produced fruit so sour it set a man’s teeth on edge until the deepest frost. The tree belonged to no one; it was just wood and leaf, taking up space in the small stony yard where he might otherwise store a second rain barrel.

"The apple tree?" Josef asked, his voice trembling with a mixture of dread and sudden, wild hope. "You want the old apple tree?"

"That which stands behind your mill," the stranger repeated, his dark eyes fixing on Josef’s grey ones with a light that seemed to burn straight through his skull. "Do we agree?"

"It’s just an old tree," Josef muttered to himself, his fingers loosening on the axe handle. "It’s not even good firewood. The grain is too twisted."

"Then it is no loss to you at all," the stranger said softly. He stepped forward and held out his hand. His palm was smooth, pale, and entirely devoid of the lines that crossed an ordinary man’s flesh—no line of life, no line of heart, only a smooth, unbroken expanse of white skin. "Touch my hand, Josef the miller. Give me what stands behind your mill, and when the sun rises tomorrow, your misery will be at an end."

Josef looked back down the dark path toward the cottage. He thought of the forty groschen. He thought of the bailiff’s fat, red-faced clerks taking the lead off his roof while the villagers watched from the lane. He thought of sleeping under a hawthorn hedge, chewing on dried grass while his daughter’s hands grew red and ruined in some stranger’s scullery.

"I agree," Josef said.

He reached out and pressed his broad, calloused, flour-dusted hand into the stranger’s pale palm.

The moment their skin met, a cold so intense it felt like boiling oil shot up Josef’s arm. The horn lantern on the stone flickered violently and died, plunging the riverbank into absolute darkness. The air grew so thick with the smell of scorched metal that Josef gasped, stumbling backward until his heels struck the slippery timber of the sluice gate.

When he caught his balance and struck a match with trembling fingers to light the wick, the stranger was gone. The fallen birch tree had been snapped clean in half, as though struck by a lightning bolt that made no sound, and the choked water was rushing freely through the flume once more, carrying the river-weed away into the dark.

Josef stood alone in the rain, his heart thumping like the broken cog on the pit-wheel. He looked at his hand—the skin was unmarked, though it still tingled with that bitter, icy heat.

"It was just the tree," he whispered into the roaring blackness of the wood. "It was only the apple tree."

He picked up his axe and his lantern and began to hurry down the path, his boots sliding wildly in the mud. As he neared the cottage, he saw a warm light glowing from the small kitchen window. The sight of it usually brought him a dull, familiar sense of irritation at the waste of tallow, but tonight it felt like a beacon.

He rounded the corner of the house, holding the lantern high to look into the small back yard.

The old apple tree was still there, its bare, twisted branches dark against the night sky. But beneath its boughs, sitting on the low stone bench where she often went to scrape the dirt from her wooden sabots before bed, was Clara. She was wrapped in her grey wool shawl, her head bowed as she pulled the last length of black thread through her mending.

Josef stopped in his tracks, the blood draining from his face until his ears rang with a dry, rushing noise.

She was sitting directly behind the mill.

"Clara?" he croaked, his voice barely louder than the scrape of the water wheel.

She looked up, her dark eyes calm and clear in the lantern light, her wide, capable hands resting quietly in her lap. "You were gone a long time, Father," she said. "Did you clear the gate?"

Josef looked from her hands down to the earth, then back to the dark line of the forest where the stranger had disappeared. The lantern slipped from his numbed fingers, striking the wet gravel and snuffing out in the dark.


This is a sample preview. The complete book contains 27 sections.