The Prologue of Romeo and Juliet serves as a crucial introduction to the play, setting the stage for the tragic love story that is about to unfold. It is spoken by a Chorus, a single character who addresses the audience directly, providing them with essential information about the play's plot and themes.
The Chorus opens by introducing the setting of the play: "In fair Verona, where we lay our scene." This immediately establishes a sense of place, transporting the audience to the Italian city where the story takes place. The Chorus then introduces the two feuding families, the Montagues and the Capulets, describing them as "Two households, both alike in dignity." This description emphasizes the equal standing of the families, suggesting that their feud is based on a long-standing and deeply rooted hatred rather than any difference in social status.
The Chorus goes on to highlight the destructive nature of the feud, stating that "From ancient grudge break to new mutiny, / Where civil blood makes civil hands unclean." This foreshadows the violence that will erupt throughout the play, emphasizing the tragic consequences of the families' hatred.
The heart of the Prologue lies in its introduction of the two lovers, Romeo and Juliet. We learn that they are "A pair of star-cross’d lovers" who will "take their life." This immediately establishes a sense of inevitability, suggesting that their love is destined for a tragic end. The phrase "star-cross'd" implies that their fate is determined by forces beyond their control, hinting at the influence of destiny in the play.
The Prologue concludes by outlining the structure of the play, stating that it will encompass "The fearful passage of their death-mark’d love, / And the continuance of their parents’ rage, / Which, but their children’s end, nought could remove." This reinforces the sense of tragedy, suggesting that only the deaths of Romeo and Juliet can bring an end to the feud.
Shakespeare's use of the Chorus in the Prologue is a clever dramatic device. By addressing the audience directly, the Chorus creates a sense of intimacy and immediacy, drawing them into the world of the play. The Chorus also provides the audience with a framework for understanding the play's plot and themes, preparing them for the tragic events that are to come.
Act I Scene 1: Servants' Brawl
The opening scene of Romeo and Juliet plunges us directly into the heart of the feud between the Montagues and the Capulets. We are introduced to two servants from the Capulet household, Sampson and Gregory, who are armed and looking for trouble. Their conversation reveals the deep-seated animosity that exists between the two families.
Sampson's opening line, "Gregory, on my word, we’ll not carry coals," is a play on words. "Carrying coals" was a common expression at the time, meaning to endure insults or humiliation. Sampson is asserting that he and Gregory will not tolerate any disrespect from the Montagues. Gregory's response, "No, for then we should be colliers," continues the wordplay, referencing the workers who carried coal. This exchange establishes a tone of aggression and bravado, suggesting that the servants are eager for a fight.
Sampson's declaration that "A dog of the house of Montague moves me" reveals the extent of his hatred. The word "dog" is a derogatory term, indicating his contempt for the Montagues. His willingness to "take the wall" of any Montague man or maid is a further assertion of dominance. In Elizabethan England, taking the wall, or walking closer to the buildings, was seen as a sign of superiority.
Gregory's response, "That shows thee a weak slave, for the weakest goes to the wall," challenges Sampson's bravado. This sets up a dynamic between the two servants, with Sampson representing a more aggressive and confrontational approach and Gregory a more cautious and pragmatic one.
The arrival of Abram and Balthasar, servants from the Montague household, escalates the tension. Sampson's decision to "bite his thumb" at them is a deliberate insult. In Elizabethan England, biting one's thumb was considered a rude gesture, equivalent to giving someone the middle finger today. This act of aggression triggers a confrontation, with both sides drawing their swords and fighting.
Benvolio, Romeo's cousin, enters and attempts to stop the fight. His line, "Part, fools! put up your swords, you know not what you do," highlights the senselessness of the violence. Benvolio represents a voice of reason and peace, contrasting with the hot-headed servants.
The arrival of Tybalt, Juliet's cousin, further inflames the situation. Tybalt is a fiery and aggressive character who revels in the conflict. His declaration, "What, drawn, and talk of peace? I hate the word / As I hate hell, all Montagues, and thee," reveals his deep-seated hatred for the Montagues. He immediately challenges Benvolio to a fight, escalating the brawl into a full-blown street fight.
The arrival of the Prince and his guards restores order. The Prince's speech is a powerful condemnation of the violence, highlighting the destructive consequences of the feud. He reprimands both families, reminding them that their "civil brawls" have "thrice disturb’d the quiet of our streets." He warns them that if they disturb the peace again, "Your lives shall pay the forfeit of the peace."
The Prince's speech serves as a turning point in the scene, marking a shift from the chaotic violence of the brawl to a more somber and reflective mood. It establishes the Prince as a figure of authority and justice, setting the stage for the consequences that will follow from the feud's violence.
The brawl in Act I Scene 1 is a crucial opening to the play. It immediately establishes the central conflict, introducing the key characters and themes that will drive the story. The violence of the brawl sets a tone of danger and foreshadows the tragedy that is to come.